Visual Services
VFX
Compositing
Node-based compositing that merges live-action, CGI, and digital effects into photo-real cinematic frames — for Hollywood features, Netflix originals, OTT series, and global advertising productions.
What we do
Cinema-quality
compositing, every shot
VFX compositing is the art of assembling multiple visual elements — live-action plates, CGI renders, matte paintings, and digital effects — into a single, seamless, photorealistic frame. Our compositors have delivered for Hollywood studios, Netflix originals, and global commercial campaigns for over 15 years.
We handle everything from green screen keying and CGI integration to full shot finishing and DI prep — always QC'd on a calibrated cinema display by a senior compositor before delivery.
Industry-grade chroma keying combined with manual roto for perfect edge detail on hair, glass, and motion blur — spill suppressed and ready for any background replacement.
CG renders composited into live-action plates with colour-matched lighting, shadow passes, light wrapping, and motion blur matching — making digital elements fully believable.
Digital environments composited with parallax-correct camera movement, atmospheric depth, and seamless horizon blending — sets that feel truly infinite.
Full stereo composite pipeline with sub-pixel L/R alignment, disparity-matched VFX elements, stereo colour consistency, and vergence-correct delivery for cinema S3D.
Our Process
How compositing works
All incoming elements reviewed — plates, CG passes, mattes — each shot classified by complexity with a timeline and format spec agreed before work begins.
CG passes, roto mattes, and plate layers assembled into a clean node tree. Background, mid-ground, and foreground elements organised by depth.
Light matching, colour correction, shadow integration, light wrapping, and grain matching applied — every element treated to match the original camera.
Every shot played back at full resolution on a calibrated cinema display by a senior compositor — checked for edge chatter, colour consistency, and temporal stability.
EXR or DPX sequences — or embedded Nuke scripts — delivered to your pipeline naming convention, colour space, and frame range spec, on schedule.
Methods
Techniques we use
Nuke Primatte, Keylight, and IBK Colour used for primary green/blue screen extraction — combined with roto for hair, glass, and fine edge detail.
CG elements graded to match on-set lighting with shadow, AO, and reflection passes layered in — light wrap applied to blend edges with the live plate.
Volumetric haze, depth-of-field, lens distortion, and vignettes applied to integrate distant elements and match the natural falloff of the original lens.
2.5D parallax matte paintings projected onto geometry — integrated with correct camera motion, atmospheric depth, and environmental lighting to feel fully real.
Paired L/R composite production using Nuke Ocula — sub-pixel stereo alignment, disparity-matched VFX elements, and full vergence QC for cinema S3D release.
Grain matching, lens artefact replication, final colour correction, and HDR/SDR DI prep — delivered in DCI-P3, Rec.709, or Rec.2020 for any platform.
FAQ
Common questions
Ready to start?
Share your shot list, element breakdown, and delivery spec — we'll reply within 24 hours with a quote, timeline, and team allocation. NDA signed before any footage is shared.